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You can see ND Stevenson grow as an artist with each chapter. And just to make it worse, she realizes that the person who organized the party and whose house it was is her crush Madeleine. Delight gets thrown around a lot to describe any story with a degree of positivity, but in the case of Check, Please! As well as how we would burn gloriously against those who would chain us to someone else’s vision of ourselves.
But at its heart, it’s the story of a queer man learning to be a better person by seeing himself from the outside. The diversification of themes and genres within Black gay comics ensures that a wide array of voices can find their expression and resonate with an equally diverse audience.
Supporting Creators and Discovering More Essential Reads
A crucial aspect of this narrative boom is the deliberate effort to support creators who are often overlooked in mainstream publishing.
The Outfield collects the entire run of Dylan Edwards’ ... Read more
If you like Comic Book Herald, and are able to donate, any small contribution will help keep CBH alive and updated. This variety ensures that there’s a compelling story and a captivating visual experience for every taste within Black gay comics.
This extensive list serves as an excellent entry point into the world of Black gay comics and graphic novels, providing a glimpse into the diverse stories available.
Grace Ellis’ script pulls no punches when it comes to Highsmith’s failings and Hannah Templer reorients the entire field of comics in such a way as to make it obvious. For those who need more than that, it’s a road trip comic drawn and colored by one of the most brilliant artists working in the medium today. Love & Rockets has been published by Fantagraphics since 1982 and has a lot of issues to back it up, so recommendations for introductory greatness include Jaimie’sIs This How You See Me? and Gilbert’s New Tales of Old Palomar.
are you listening?
Sean Dillon: Tillie Walden made a road trip comic.
Donate here! Written by the visionary Tee Franklin, with art by Jenn St-Onge and Joy San, this comic explores the decades-long love story between two Black women who reconnect in their senior years. It’s a powerful narrative about finding love, identity, and happiness against all odds, resonating deeply with fans of Black gay comics and beyond.
The comic’s impact lies not just in its beautiful premise but also in its authentic portrayal of older LGBTQ+ characters.
The ability to shift from one form to the next and the next with ease marks a sharp contrast to the difficulties of transitioning in our current age. A wonderfully violent and surprisingly self-reflective comic, this remains a seminal work for queer superheroes and paved the way for much to come, but its biggest accomplishment is humanizing an intriguing and complex character that was so often viewed only as a Batman analog.
Snagglepuss Chronicles: Exit Stage Left
Dave: Nobody made better use of DC and Hanna Barbara’s crossover comics than writer Mark Russell (Batman/Elmer Fuddnotwithstanding), and although Flintstonesis the more revelatory of the works with its own satirical commentary on bigoted attitudes, with Mike Feehan, Russell turned Snagglepuss into a GLAAD media award-winning take on playwright Tennessee Williams during America’s 1950’s Red Scare and House of Un-American activities era.
Sarah Jolley is one of those once in a lifetime artists who deserves all the money to do what they want. Seek out independent publishers, online anthologies, and specialized bookstores that champion these unique voices.
Engaging with online communities and social media groups dedicated to LGBTQ+ comics is another excellent way to discover essential reads and Black gay storytelling.
From webcomics to published anthologies, the access points for these powerful narratives are steadily increasing, making it easier than ever to explore diverse perspectives and find truly impactful reads.
The Influence on Mainstream Comics and Media
The groundbreaking work happening within Black gay comics is not remaining in isolation; it is actively shaping and influencing mainstream comics and broader media representation.
Gio Esposito’s heavy-lined, straightforward art and the brilliant character design are a major selling point, creating a dynamic and sleek sci-fi layout for the fast-paced action sequences.
Check Please
Dave: One of the funniest comics of the past decade, Ngozi Ukazu’s Check, Please!
By supporting these creators and seeking out new voices, you help ensure these powerful narratives continue to thrive and inspire.